Pinchbeck pair of Dimensional Beaded Bracelets c. 1820

Beading as art can be found in almost every culture and era since the beginning of humankind. From Stone Age garments to the tomb of King Tutankhamun; in 8th century Japanese palaces and Italian glass beads from the days of Marco Polo. There was a resurgence in popularity of beading from the late Georgian period until the early 20th century which took on an array of forms such as embroidered beadwork (needlepoint embroidery) and dimensional seed work (using seed or tiny beads). Floral beadwork originated in the Middle Ages and grew in 19th century France and the Victorian era. From around 1815 to 1850 some of the smallest beads with the most beautiful colors were produced.

Beaded bracelets flourished in the early part of the 19th century and the custom of the time was to wear one on each wrist. Traditionally, these bracelets were made with Pinchbeck (or Pinch as it is known) rather than with gold. Here is a stunning example of Georgian era dimensional beading of a white five-petal flower referred to as “the daisy motif” on black velvet backed with brown silk. Gold color beads subtly accent the center of the floral form emphasizing even more the virtual depth of the flower. The velvet band is festooned with white, blue, and gold curvilinear beads akin to floral sprays and stems. A closure of pinchbeck with intricate cannetille work is joined using a tongue clasp. In the language of flowers, these were certainly symbolic and probably given or made as a token of affection.

Measures on wrist 6 inches in length (15 cm) by 1-13/16 of an inch in width at clasp (4.6 cm); velvet band is 1-¾ inches in width (4.5 cm). In very good condition with general wear commensurate with age and use; a small fold in fabric near the main flower. Of note: one missing bead strand has been expertly repaired and is not at all detectable; each section of clasp has hallmark with a circular target like design. Most likely Continental in origin, dating to 1820.